A Serpentine for the Serpentine Pavilion

John Hill | 21. January 2026
Serpentine Pavilion 2026, a serpentine, designed by Isabel Abascal and Alessandro Arienzo, LANZA atelier. (Visualization © LANZA atelier, courtesy Serpentine)

As anniversaries go, a serpentine is significant, as it marks the 25th Serpentine Pavilion. The temporary architectural installations have sat next to the Serpentine Gallery in Kensington Gardens every summer (outside of 2004 and 2020) since 2000 and Zaha Hadid’s large angular tent. Outside of a focus on architectural experimentation and using the pavilions to host a myriad of cultural events, consistent across the series has been awarding the designs to architects who have not previously realized a building in the UK.

Serpentine Pavilion 2026, a serpentine, designed by Isabel Abascal and Alessandro Arienzo, LANZA atelier. Conceptual sketch, worm's eye view. (Drawing © LANZA atelier, courtesy Serpentine)

The pavilion’s early years were marked by big names (Daniel Libeskind, Toyo Ito, Oscar Niemeyer, Rem Koolhaas, Frank Gehry, Jean Nouvel, Peter Zumthor, Bjarke Ingels, etc.), while recent years have seen a number of the commissions going to lesser-known architects from nearly every corner of the globe, including Smiljan Radíc from Chile, Francis Kéré from Burkina Faso, Lina Ghotmeh from Lebanon, and, just last year, Marina Tabassum from Bangladesh. LANZA atelier is the second architect from Mexico, following Frida Escobedo in 2018.

Serpentine Pavilion 2026, a serpentine, designed by Isabel Abascal and Alessandro Arienzo, LANZA atelier. Aerial view. (Visualization © LANZA atelier, courtesy Serpentine)

Founded in Mexico City in 2015 by Isabel Abascal and Alessandro Arienzo, LANZA atelier is described by Serpentine as a “collaborative practice [that] is rooted in the everyday and the informal, attentive to how technology, craft, and spatial intelligence emerge in unexpected conditions.” Following from the idea of “the figure of the serpent as a generative and protective force,” in the architects’ own words, their appreciation of vernacular crafts led them to “England’s winding fruit walls, which are structures that temper climate, create shelter, and enable growth.”

Serpentine Pavilion 2026, a serpentine, designed by Isabel Abascal and Alessandro Arienzo, LANZA atelier. Exterior view. (Visualization © LANZA atelier, courtesy Serpentine)

Following from this vernacular reference, LANZA atelier's pavilion appropriately will feature serpentine walls built of simple clay brick, a technique that provides stability through lateral support and uses fewer bricks than orthogonal brick walls. As can be seen in the sketch and renderings here, a curving wall defines three sides of the space beneath a translucent roof, while the wavy brick wall to the south extends beyond the space toward Serpentine South, the 1934 building designed by J. Grey West.

Serpentine Pavilion 2026, a serpentine, designed by Isabel Abascal and Alessandro Arienzo, LANZA atelier. Interior view. (Visualization © LANZA atelier, courtesy Serpentine)

LANZA atelier's a serpentine will be on display from June 6 – October 25, 2026. A portion of this year's programming will commemorate the legacy of Zaha Hadid as architect of the inaugural pavilion and mark the 25th Serpentine Pavilion.

Isabel Abascal and Alessandro Arienzo of LANZA atelier (Photo © Pia Riverola)

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